She’s been smeared with cake and doused with acid. Vigilantes have stolen her, and protesters have defaced her. She’s been lasered and prodded, displayed for the masses, and relegated to her own basement gallery. More recently, thousands urged billionaire Jeff Bezos to buy her, and then eat her.
There is no bottom, it seems, to the mysteries of the Mona Lisa, the Leonardo da Vinci painting that has captivated art lovers, culture vultures and the rest of us for centuries. Who is she? (Most likely Lisa Gherardini, the wife of an Italian nobleman.) Is she smiling? (The short answer — kind of.) Did da Vinci originally intend to paint her differently, with her hair clipped or in a nursing gown?
While much about the art world’s most enigmatic subject has been relegated to the realm of the unknowable, now, in a strange crossover of art and geology, there may be one less mystery: where she was sitting when da Vinci painted her.
According to Ann Pizzorusso, a geologist and Renaissance-art scholar, da Vinci’s subject is sitting in Lecco, Italy, an idyllic town near the banks of Lake Como. The conclusion, Ms. Pizzorusso said, is obvious — she figured it out years ago, but never realized its significance.
“I saw the topography near Lecco and realized this was the location,” she said.
The nondescript background has some important features; among them, a medieval bridge that most scholars have held as the key to da Vinci’s setting. But Ms. Pizzorusso said it is rather the shape of the lake and the gray-white limestone that betrays Lecco as the painting’s spiritual home.
“A bridge is fungible,” said Ms. Pizzorusso. “You have to combine a bridge with a place that Leonardo was at, and the geology.”
