In “Goddess,” an original musical about a mysterious singer in Mombasa, Kenya, Moto Moto is not just an Afro-jazz nightclub, it’s a great equalizer, where Kenyans of all faiths, tribes and social classes shake and spin their bodies in rapture.
“I’ve literally met the loves of my life on dance floors,” the director Saheem Ali said. “So I understand the power of a life-changing event that happens in a space of communal dancing and joy.”
It’s that electric sense of belonging that Ali sought to recreate in “Goddess,” now in previews at the Public Theater after an 18-year development process.
“My first child is Liban,” Ali said to his cast on the first day of rehearsal for “Goddess.” “He was born in 2006.”
“My second child is ‘Goddess,’” he said, referring to the musical. “And she was born in 2007. Eighteen years, never again for one show.” (It arrives on the heels of his Broadway production of “Buena Vista Social Club,” the lively stage adaptation of the beloved 1997 album that is set in Havana nightclubs and was nominated for 10 Tony Awards, including for Ali’s direction.)
Creating an original musical from scratch is its own tall order. And at the heart of this passion project is the African folklore myth of Marimba, the goddess of music who created songs from heartbreak. It took Ali years to find the right collaborators and hone the plot.
